Shakespeare with clogs on

To Scar­bor­ough for the ever-satisfying North­ern Broad­sides Theatre Co doing “Romeo and Juliet” at the Stephen Joseph Theatre. First time for me to this very smart con­ver­sion of a former cinema where the main aud­it­or­ium is arranged in the round. The play had been put into con­tem­por­ary cloth­ing — more or less — and effort­lessly appeared to be about con­tem­por­ary people. Juliet in par­tic­u­lar was played as a very young teen­ager of today — with lots of the man­ner­isms — emphas­ising how young she is and inex­per­i­enced and naïve. Tybalt was inter­est­ing too — extremely aggress­ive and con­stantly spoil­ing for a fight but actu­ally an incom­pet­ent fighter, eas­ily out­classed by Mer­cu­tio who could have killed him straight­away but doesn’t. So Romeo’s impetu­ous inter­ven­tion is com­pletely unne­ces­sary. Typ­ical of this cal­low youth of instant pas­sions and swift, unthink­ing decisions and rash acts. The clog-dancing is done at the Capulet’s ball — a great evoc­a­tion of a fam­ily thor­oughly enjoy­ing itself (and a theatre com­pany doing so too).

All in all, one of the best R&Js I’ve seen — though not per­fect — I could have wished Mer­cu­tio less down-to-earth and the fath­ers more stricken at the end.

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Johnny G.
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