London Jazz Festival

There’s a pub called “The Spice of Life” on Cam­bridge Cir­cus, in the base­ment bar of which there’s one of those small, formerly smoky ven­ues, which is where you feel jazz always should hap­pen, though 4.30 on a Sunday after­noon is per­haps a tad implaus­ible.  The band was Drug­store Cow­boy who are described as straigh­ta­head.  It was good, loud, force­ful con­ven­tional stuff.  The trumpeter,Quentin Collins, could obvi­ously play pure melodic notes if he wanted to, but was too inclined to go for screech­ing on the edge for my taste. But some good solos from Brandon Allen on the sax, and from the Ham­mond  organ­ist and the drummer.

Time for a quick dash to Pret for a wrap (hoisin duck — v. good) before back to the base­ment for the Froy Aagre band.  Froy does her own num­bers, very much in the Nor­we­gian sax­o­phone mould after Gab­arek and Seim, but all delight­fully tune­ful and not over­strained. She had what can only be described as a mod­est demean­our.  For the second half Kenny Wheeler, who is fam­ous and old, joined the band to play some of his num­bers.  Good stuff, but more mainstream.  

And so to Monday night at the QEH, which is not an intim­ate venue. Iro Haarla is a Finnish harp and piano player whose CD “North­bound” I really like.  Unfor­tu­nately the music didn’t really come across in this con­cert.  The first num­ber, which has Try­gve Seim and Math­ias Eick blar­ing together, was ill-chosen, I thought, and pre­ju­diced a lot of the audi­ence against what was to fol­low.  The num­bers ended up all sound­ing pretty much the same, beau­ti­ful and atmo­spheric though they were.  Pity, I like Seim and Eick.

Iro Haarla was actu­ally part of a double bill with the Manu Katche band, which was what most of the audi­ence had come to hear.  Although again there were some nice moments and accom­plished play­ing, hav­ing the drum­mer lead the band in this instance led to much to prom­in­ent drum­ming.  A bit of an ego-trip maybe ?

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Johnny G.
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