I’m always astonished at how Vesaas gets inside the thoughts and feelings of his characters– usually young people, adolescents. In Spring Night the main character, a boy, is on the brink of sexuality, without knowing it himself. His older sister is all too aware of her sexual power, with which she teases her suitor. And into the household (their parents are away overnight) erupts a dysfunctional family, the parents at war with each other, a younger pregnant woman, a ferocious son, and a pubescent girl, the counterpart of the main character. The boy barely knows what to think, can’t identify what he’s feeling, has to interact with all these people and steer through the vicious family tensions and unstated sexual tension. It’s brilliantly done.
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