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	<title>Number Seventy News &#187; concerts</title>
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	<link>http://www.numberseventy.co.uk/blog</link>
	<description>All the news that's fit to print!</description>
	<lastBuildDate>Mon, 30 Jan 2012 20:45:58 +0000</lastBuildDate>
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		<title>Oates and Tweed</title>
		<link>http://www.numberseventy.co.uk/blog/2012/01/20/oates-and-tweed/</link>
		<comments>http://www.numberseventy.co.uk/blog/2012/01/20/oates-and-tweed/#comments</comments>
		<pubDate>Fri, 20 Jan 2012 18:00:26 +0000</pubDate>
		<dc:creator>John</dc:creator>
				<category><![CDATA[concerts]]></category>

		<guid isPermaLink="false">http://www.numberseventy.co.uk/blog/?p=773</guid>
		<description><![CDATA[A full house at the Black Swan for Jackie Oates and Karen Tweed.  An excellent duo, the fiddle and accordion complementing each other beautifully, Karen Tweed providing some beautiful variations as well as a number of solo spots featuring traditional &#8230; <a href="http://www.numberseventy.co.uk/blog/2012/01/20/oates-and-tweed/">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
			<content:encoded><![CDATA[<p>A full house at the Black Swan for Jackie Oates and Karen Tweed.  An excellent duo, the fiddle and accordion complementing each other beautifully, Karen Tweed providing some beautiful variations as well as a number of solo spots featuring traditional and self-composed tunes.  Jackie’s songs varied from the traditional to the contemporary — at times her past incarnation in the Unthanks showed through in the arrangements.</p>
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		<title>Andy Sheppard Solo</title>
		<link>http://www.numberseventy.co.uk/blog/2011/12/18/andy-sheppard-solo/</link>
		<comments>http://www.numberseventy.co.uk/blog/2011/12/18/andy-sheppard-solo/#comments</comments>
		<pubDate>Sun, 18 Dec 2011 12:18:15 +0000</pubDate>
		<dc:creator>John</dc:creator>
				<category><![CDATA[concerts]]></category>

		<guid isPermaLink="false">http://www.numberseventy.co.uk/blog/?p=741</guid>
		<description><![CDATA[Yes, just one man and two saxophones. and a bird whistle,  and a shaker, and a guitar-like instrument, and some electronic wizardry on stage.  The first piece turned some apparently disconnected saxophone phrases into a rich backing and, surprise, there &#8230; <a href="http://www.numberseventy.co.uk/blog/2011/12/18/andy-sheppard-solo/">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
			<content:encoded><![CDATA[<p>Yes, just one man and two saxophones. and a bird whistle,  and a shaker, and a guitar-like instrument, and some electronic wizardry on stage.  The first piece turned some apparently disconnected saxophone phrases into a rich backing and, surprise, there was “In the Bleak Mid-Winter” emerging towards the end.  One piece involved laying down a percussion track using the sax to tap a rhythm on, and clapping, and mouth noises, and the bird whistle featured early on a piece in which “Bye Bye Blackbird” turned up later, to giggles of delighted recognition from the audience at the NCEM. Slightly more conventional was “it’s a Wonderful World”; in this case we knew where we were at the start, and moved on and away from there.  I’ve been sniffy about electronics in the past, mostly because what they added didn’t seem to be worth doing, but in this case Sheppard built up his loops and repetitions with such care, slowly enough to take the audience along with him, that the result extended and enhanced the possibilities of the sax.</p>
<p>I read in some review that Andy Sheppard’s linking announcements can be a bit enigmatic.  Well, he says a whole lot more on stage than Jan Gabarek, who rarely says anything, but enigmatic is as good a way of characterizing some of his words as any.</p>
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		<title>Two Theatres</title>
		<link>http://www.numberseventy.co.uk/blog/2011/11/26/two-theatres/</link>
		<comments>http://www.numberseventy.co.uk/blog/2011/11/26/two-theatres/#comments</comments>
		<pubDate>Sat, 26 Nov 2011 17:05:01 +0000</pubDate>
		<dc:creator>John</dc:creator>
				<category><![CDATA[books films arts etc]]></category>
		<category><![CDATA[concerts]]></category>
		<category><![CDATA[pubs]]></category>

		<guid isPermaLink="false">http://www.numberseventy.co.uk/blog/?p=729</guid>
		<description><![CDATA[Way back in the 60s we used to watch a TV psudo-Victorian music hall programme from the Leeds City Varieties theatre — compered, if I remember right, by Leonard Sachs.  50 years on, first visit. It’s a  long and narrow &#8230; <a href="http://www.numberseventy.co.uk/blog/2011/11/26/two-theatres/">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
			<content:encoded><![CDATA[<p>Way back in the 60s we used to watch a TV psudo-Victorian music hall programme from the Leeds City Varieties theatre — compered, if I remember right, by Leonard Sachs.  50 years on, first visit. It’s a  long and narrow shoe-box of a theatre but it presented June Tabor and the Oyster Band very nicely.  Good to hear new material they have done together, as well as some from their collaboration 21 years ago.  On the whole, I prefer Tabor with her usual accompanist, Huw Williams, but this was an enjoyable folk rock evening, and the Oyster Band were great — “The Bells of Rhymney” stands out.</p>
<p>Beforehand, we visited The Swan, central Leeds’ little gem of a tucked away pub, also long and narrow, but with a good range of real ale, including a tasty little Leeds Brewery blonde.</p>
<p>By contrast, York Theatre Royal is expansive, hosting Northern Broadsides in Blake Morrison’s “We Are Three Sisters”, the Brontes, their living room an oasis amidst the constantly storm-wracked moorland and wretched living conditions of Haworth.  Mor than a nod to Chekov, obviously, but this stands on its own.  There’s isolation and sadness at the heart of it, for sure, and lurking there too is the theory that great artists need to suffer in some way, to produce their art. Yet for all their dark imaginations, the sisters tell themselves that they are often happy, and Branwell, their brother, shows that talent can be extinguished by misery as well as fostered by it.  Most sad is the doctor, lonely, drunk, with no great ability as a doctor or anything else, who just suffers. A good, but not great play, but excellently acted, though it’s a pity Barrie Rutter seems to play the same character in every production these days, only the clothes are different.</p>
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		<title>Tommy at the Black Swan</title>
		<link>http://www.numberseventy.co.uk/blog/2011/10/09/tommy-at-the-black-swan/</link>
		<comments>http://www.numberseventy.co.uk/blog/2011/10/09/tommy-at-the-black-swan/#comments</comments>
		<pubDate>Sun, 09 Oct 2011 17:15:19 +0000</pubDate>
		<dc:creator>John</dc:creator>
				<category><![CDATA[concerts]]></category>

		<guid isPermaLink="false">http://www.numberseventy.co.uk/blog/?p=681</guid>
		<description><![CDATA[A great pleasure to hear Tom McConville, the Newcastle Irish fiddler and singer at the Black Swan. Mixture of tune sets and songs.  Lovely version of “Beeswing” and a great singalong “Battle of New Orleans” stand out. David Newey on &#8230; <a href="http://www.numberseventy.co.uk/blog/2011/10/09/tommy-at-the-black-swan/">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
			<content:encoded><![CDATA[<p>A great pleasure to hear Tom McConville, the Newcastle Irish fiddler and singer at the Black Swan. Mixture of tune sets and songs.  Lovely version of “Beeswing” and a great singalong “Battle of New Orleans” stand out. David Newey on very competent guitar accompanying Tom.</p>
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		<title>Show of Hand</title>
		<link>http://www.numberseventy.co.uk/blog/2011/02/12/show-of-hand/</link>
		<comments>http://www.numberseventy.co.uk/blog/2011/02/12/show-of-hand/#comments</comments>
		<pubDate>Sat, 12 Feb 2011 16:31:08 +0000</pubDate>
		<dc:creator>John</dc:creator>
				<category><![CDATA[books films arts etc]]></category>
		<category><![CDATA[concerts]]></category>

		<guid isPermaLink="false">http://www.numberseventy.co.uk/blog/?p=484</guid>
		<description><![CDATA[Steve Knightly is the song-writing half of Show of Hands but also plays a mean guitar.  An excellent solo evening with his distinctive west country slant — good anecdotes too.  He didn’t do my Show of Hands favourite “Tall Ships” &#8230; <a href="http://www.numberseventy.co.uk/blog/2011/02/12/show-of-hand/">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
			<content:encoded><![CDATA[<p>Steve Knightly is the song-writing half of Show of Hands but also plays a mean guitar.  An excellent solo evening with his distinctive west country slant — good anecdotes too.  He didn’t do my Show of Hands favourite “Tall Ships” which comes in various versions — including one of 20 minutes plus — wonderful story-telling.  On the whole, I prefer the duo, but we’re only talking about the difference between absolutely bloody excellent and bloody excellent.</p>
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		<title>Steel Skies revisited</title>
		<link>http://www.numberseventy.co.uk/blog/2010/11/28/steel-skies-revisited/</link>
		<comments>http://www.numberseventy.co.uk/blog/2010/11/28/steel-skies-revisited/#comments</comments>
		<pubDate>Sun, 28 Nov 2010 17:34:03 +0000</pubDate>
		<dc:creator>John</dc:creator>
				<category><![CDATA[concerts]]></category>

		<guid isPermaLink="false">http://www.numberseventy.co.uk/blog/?p=439</guid>
		<description><![CDATA[Stunning concert by the concertina and Northumbrian pipes player Alastair Anderson, seemingly forever young, and backed by a young band it was lovely to see. Alastair’s reprise of “Steel Skies” which he wrote in 1982 was both lovely and lively, &#8230; <a href="http://www.numberseventy.co.uk/blog/2010/11/28/steel-skies-revisited/">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
			<content:encoded><![CDATA[<p>Stunning concert by the concertina and Northumbrian pipes player Alastair Anderson, seemingly forever young, and backed by a young band it was lovely to see. Alastair’s reprise of “Steel Skies” which he wrote in 1982 was both lovely and lively, forming the whole of the 2nd half of the concert.  He’s such an ambassador for folk in the North of England, and is much celebrated for his work with young people in Newcastle and Durham.</p>
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		<title>Kathryn Tickell</title>
		<link>http://www.numberseventy.co.uk/blog/2010/11/14/kathryn-tickell/</link>
		<comments>http://www.numberseventy.co.uk/blog/2010/11/14/kathryn-tickell/#comments</comments>
		<pubDate>Sun, 14 Nov 2010 18:51:21 +0000</pubDate>
		<dc:creator>John</dc:creator>
				<category><![CDATA[concerts]]></category>

		<guid isPermaLink="false">http://www.numberseventy.co.uk/blog/?p=423</guid>
		<description><![CDATA[It’s possible that after a while Northumbrian pipe and fiddle tunes may get to sound a bit samey, but at a Kathryn Tickell concert she always introduces them so engagingly, talking as if chatting to the audience casually, but utterly &#8230; <a href="http://www.numberseventy.co.uk/blog/2010/11/14/kathryn-tickell/">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
			<content:encoded><![CDATA[<p>It’s possible that after a while Northumbrian pipe and fiddle tunes may get to sound a bit samey, but at a Kathryn Tickell concert she always introduces them so engagingly, talking as if chatting to the audience casually, but utterly professional, that each tune comes polished up and the audience too is ready to give it its full attention.  She always strikes me as a totally genuine performer in the folk tradition, extending it herself by writing her own tunes as well as perpetuating those written by her predecessors.</p>
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		<title>Froy Aagre</title>
		<link>http://www.numberseventy.co.uk/blog/2010/05/03/froy-aagre/</link>
		<comments>http://www.numberseventy.co.uk/blog/2010/05/03/froy-aagre/#comments</comments>
		<pubDate>Mon, 03 May 2010 07:44:58 +0000</pubDate>
		<dc:creator>John</dc:creator>
				<category><![CDATA[concerts]]></category>

		<guid isPermaLink="false">http://www.numberseventy.co.uk/blog/?p=304</guid>
		<description><![CDATA[Norwegian female sax player — for this concert soprano sax.  Her own compositions — influenced clearly by her origins in Norway and contemporary Norwegian jazz, but also more widely by European jazz.  Excellent backing but perhaps not as well sound-balanced &#8230; <a href="http://www.numberseventy.co.uk/blog/2010/05/03/froy-aagre/">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
			<content:encoded><![CDATA[<p>Norwegian female sax player — for this concert soprano sax.  Her own compositions — influenced clearly by her origins in Norway and contemporary Norwegian jazz, but also more widely by European jazz.  Excellent backing but perhaps not as well sound-balanced at the Venue as it could have been. Listening afterwards to the CD I found it more subtle.   But overall really excellent quartet playing, and beautiful pieces.</p>
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		<title>Gwyneth Herbert at the Shed</title>
		<link>http://www.numberseventy.co.uk/blog/2010/04/30/gwyneth-herbert-at-the-shed/</link>
		<comments>http://www.numberseventy.co.uk/blog/2010/04/30/gwyneth-herbert-at-the-shed/#comments</comments>
		<pubDate>Fri, 30 Apr 2010 18:11:22 +0000</pubDate>
		<dc:creator>John</dc:creator>
				<category><![CDATA[concerts]]></category>

		<guid isPermaLink="false">http://www.numberseventy.co.uk/blog/?p=299</guid>
		<description><![CDATA[The Shed is currently Hovingham Village Hall — where you might see a Brownies Talent Show or the Ryedale Young Farmers doing their stuff.  But the Shed turns up some great acts, including Gwyneth Herbert, who did two sets of &#8230; <a href="http://www.numberseventy.co.uk/blog/2010/04/30/gwyneth-herbert-at-the-shed/">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
			<content:encoded><![CDATA[<p>The Shed is currently Hovingham Village Hall — where you might see a Brownies Talent Show or the Ryedale Young Farmers doing their stuff.  But the Shed turns up some great acts, including Gwyneth Herbert, who did two sets of her own numbers  mostly from her new CD Ghosts.  Some powerful songs, vivaciously presented.  Only drawback was that the bar had run out of Shed Bitter by half time.</p>
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		<title>Martin Carthy at the Black Swan</title>
		<link>http://www.numberseventy.co.uk/blog/2010/04/30/martin-carthy-at-the-black-swan/</link>
		<comments>http://www.numberseventy.co.uk/blog/2010/04/30/martin-carthy-at-the-black-swan/#comments</comments>
		<pubDate>Fri, 30 Apr 2010 18:06:42 +0000</pubDate>
		<dc:creator>John</dc:creator>
				<category><![CDATA[concerts]]></category>

		<guid isPermaLink="false">http://www.numberseventy.co.uk/blog/?p=303</guid>
		<description><![CDATA[Some weeks ago now, but such a treat to live in a place where you can walk across town to a pub and spend an evening listening to one of Britiain’s finest folk musicians in a small room.  And such &#8230; <a href="http://www.numberseventy.co.uk/blog/2010/04/30/martin-carthy-at-the-black-swan/">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
			<content:encoded><![CDATA[<p>Some weeks ago now, but such a treat to live in a place where you can walk across town to a pub and spend an evening listening to one of Britiain’s finest folk musicians in a small room.  And such a friendly, informal but thoroughly professional approach.</p>
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